JONATHAN SAUNDERS
“IT’S REMINISCENT OF AN ALAN JONES PAINTING…SHE’S GOT GORGEOUSLY GLOWING
WAXEN SKIN AND A LOUBOUTIN RED LIP THAT’S QUITE NEWTON-ESQUE.”
LUCIA PIERONI
EYE
TEXTURE EYE SHADOW – IN THE SOCKETS, BLENDED IN WITH FINGERS.
VANILLA PIGMENT – BLENDED UNDER BROW BONES AND CHEEKBONES WITH FINGERS.
COPPERPLATE AND OMEGA EYE SHADOWS – APPLIED WITH A 239 BRUSH TO CREATE
FULL ROUNDED BROWS.
LIP
CHERRY LIP PENCIL – TO CREATE A ROUNDED LIP THAT’S GENTLY FADED
AROUND THE EDGES.
RUBY WOO LIPSTICK – FOR A VERY MATTE RED LIP THAT’S INTENSIFIED IN THE CENTRE.
FACE
FACE AND BODY FOUNDATION – WHERE NEEDED.
SELECT SHEER/LOOSE POWDER – DUSTED ON THE T-ZONE.
Showing posts with label Jonathan Saunders. Show all posts
Showing posts with label Jonathan Saunders. Show all posts
Monday, September 27, 2010
Wednesday, March 3, 2010
London Fashion Week - MAC Cosmetics Face Charts February 23rd

Eyes:
Eyeshadow in Copperplate – used on lids and buffed out with a
#217 Brush – blown out and diffused. It’s soft grey and smokey all round
the eye with the emphasis on shading
No Mascara and brows are naturally bushy
FACE :
Face and Body Foundation – used to create incredibly beautiful and glowing skin
Select Moisturecover Concealer – where necessary
Invisible Set Powder – dusted on the centre of nose and eyelids
Mineralize Blush in Dainty – applied to the apples of cheeks
with a 129 Brush – soft and blown out
Lip:
Select Moisturecover Concealer mixed with Pro Lip Erase in Dim and
different shades of pink lipsticks – to warm up the lips. This was adjusted
to suit the skin ton e of each individual girl

Eyes:
On darker skintones:
Chrom aline in White – applied in a slight 50’s shape very precisely on the upper lash
line
Gesso Eye Shadow – wo rked on top of the Chromaline
Eye Brows in Spiked or Stud – to create a strong, bold brow
On lighter skintones:
Water Base Mixing Medium and Pigment in Silver – blended to create
a metallic silver liner, also painted in a slightly 50s shape
FACE :
FACE AND BODY FOUNDATION
Invisible Set Powder – for a very perfect, very matte skin
Iridescent Loose Powder in Golden Bronze – to highlight the cheeks and
the bridge of the nose on darker skin tones
Mineralize Skinfinish in Soft and Gentle – to highlight the cheeks and
bridge of the nose on lighter skintones
Lip:
Lip Pencil in Chestnut – drawn precisely around the mouth and blended inwards
Ebony Eye Pencil – used in place of Chestnut on darker skintones
Pro Paint stick in Black – to fill in the lip

Eyes:
Eye Shadow in Wild by Nature – washed all over the eye lid
Eye Shadow in Fresh Water – blended through the crease
Paint Stick in Blue – dabbed onto the inner corners of the eye,
and along the socket line, before being powdered to set
Eye Shadow in Shag – taken beneath the lower lashes for soft definition
Black Prolash Mascara – applied top and bottom lashes
FACE :
Studio Moisture Fix – a light layer applied to prime the skin
Studio Fix and Face and Body Foundations – applied to the face for well groomed skin
Prep + Prime transparent finishing Pow der – all over “for a really buffed finish that
references the powdery texture I want to keep on the face”
Sculpt Sculpting Powder – under the cheekbones “for a taupe, womanly feel”
Lip:
Blushcreme in Uncommon mixed with Lip Erase in Dim – blended and patted on the mouth
for a “healthily nude, polished lip”
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