NTM Model Competition

Attention all aspiring models! NTM Studios is having a modelling competition in November. If you think you have what it takes, then this is for you. The challenge is open to all ages, races, genders and sizes. You can sign up at www.nexttopmodelstudies.com. Oh, and I forgot to mention....the winner gets a $1000 cash prize!

Good luck to all of those who enter!

NYFW September 15th - MAC Cosmetics Face Charts

PROENZA SCHOULER
“IT’S A MUTED LOOK WITH TOMBOYISH SQUARE BROWS, A BIT OF
CONTOURING AND A LITTLE NATURAL DISCOLOURATION LEFT UNDER
THE EYES FOR A BIT OF A GRUNGY FEEL.”
DIANE KENDAL


EYE
OMEGA, COQUETTE, OR MYSTERY EYE SHADOW – BRUSHED
THROUGH BROWS ONE SHADE DARKER THAN NATURAL HAIR COLOUR
TO CREATE A SQUARE TOMBOYISH SHAPE.


LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS
TO NEUTRALIZE THEIR NATURAL COLOUR.


FACE.
FACE AND BODY FOUNDATION – FOR SHEER COVERAGE.
M·A·C PRO SCULPTING POWDERS IN SCULPT –
TO CONTOUR THE CHEEKBONES.
IRIDESCENT SILVER DUSK LOOSE POWDER – HIGHLIGHTING
THE CHEEKBONES, NOSE AND TOPS OF THE LIPS.
NATHAN

NATHAN JENDEN
“THE LOOK IS A PREP SCHOOL GIRL GONE TO THE BEACH…
1940S JUDY GARLAND TO LADY GAGA.”
MAKKY


EYE – TWO LOOKS:
EYE 1
PENULTIMATE EYELINER IN RAPIDBLACK –
LINING THE TOP LASH LINE IN AN EXTENDED WINGED OUT SHAPE.
EYE 2
M·A·C PRO PURE WHITE CHROMAGRAPHIC PENCIL –
LINING THE TOP LASHLINE IN AN EXTENDED WINGED OUT SHAPE.
M·A·C PRO SILVER METAL PIGMENT – PRESSED INTO THE WHITE PENCIL
TO CREATE A SILVER LINE.


LIP
CHERRY LIP PENCIL – LINING THE LIPS.
M·A·C PRO CRIMSON LIPMIX – TO FILL IN THE LIPS.
M·A·C PRO REFLECTS RED GLITTER – PRESSED ONTO THE LIPMIX.


FACE
STUDIO SCULPT FOUNDATION – FOR PERFECTED SKIN.
GOLD DEPOSIT MINERALIZE SKINFINISH – AS A HIGHLIGHT
ON THE CHEEKBONES.

JEREMY SCOTT
“A COLLAGE OF CHAOS – MARILYN MONROE MEETS
DEBBIE HARRY AT CBGB’S.”
VAL GARLAND


EYE
M·A·C PRO PURE WHITE PAINTSTICK – BLENDED FROM LASHLINE
TO BROW AND SET WITH A LAYER OF GESSO EYE SHADOW.
M·A·C PRO BROWN CREAM LINER – BUFFED THROUGH THE
CREASE OF THE EYELIDS TO CREATE DEPTH.
IRIDESCENT SILVER DUSK LOOSE POWDER – BRUSHED OVER
BLOCKED OUT BROWS TO CREATE THE ILLUSION OF A HIGHLIGHTED BROW BONE.
M·A·C PRO BLACK OR BROWN CREAMLINER – DRAWN ABOVE
BLOCKED OUT BROWS TO CREATE DEFINED, ARCHED BROWS.
M·A·C PRO BLACK CREAMLINER – DRAWN IN A DRAMATIC,
EXTENDED, WINGED OUT SHAPE ALONG THE UPPER LASH LINE.
7 LASHES – APPLIED TO THE LASH LINES AS A BASE.
3 LASHES – CUT IN HALF AND APPLIED TO THE OUTER CORNERS
OF THE EYES FOR EXTRA DRAMA.
M·A·C PRO LASH BLACK – BLENDED THROUGH THE FALSE LASHES.


LIP
CHERRY LIP PENCIL – LINING THE LIPS PAST THE OUTER CORNERS
OF THE MOUTH INTO AN EXAGGERATED CARTOON LIKE SHAPE.
M·A·C PRO BASIC RED MICRONIZED AIRBRUSH – PAINTED ON MANUALLY
TO FILL IN THE LIPS.
M·A·C PRO BASIC RED PIGMENT – PATTED ON TOP FOR A SUPER MATTE
MOUTH CREATING A “DRAWN ON” EFFECT.


FACE
STUDIO SCULPT FOUNDATION – FOR PERFECTED SKIN.
M·A·C PRO MID-TONE SEPIA CREAM COLOUR BASE – TO CONTOUR
AND SCULPT THE CHEEKBONES.

MAC Cosmetics Pro Longwear Collection

Pro Longwear SPF10 Foundation, Concealer, and Lipcreme

With your schedule busier than ever, who has time to reapply their makeup? Introducing a new generation in Longwear technology: Pro Longwear SPF10 Foundation, Concealer and Lipcreme. After hours of overtime, this is the most advanced Longwear M∙A∙C formulations has ever created!

Pro Longwear SPF10 Foundation: This lightweight liquid foundation provides a creamy, buildable comfort, leaving skin smooth and flawless for up to 15 hours.

Pro Longwear Concealer: A blendable, all-over concealer that provides full coverage to create a natural, matte finish lasting up to 15 hours.

Pro Longwear Lipcreme: Full coverage, breathable lip colour that creates a comfortable cushion and subtle shine while staying true up to 12 hours.

The new M∙A∙C Pro Longwear products are available in North America beginning September 16, 2010 and will become part of our permanent selection.

Lipcreme - with shades like “Made to Last,” “Till Tomorrow!” and “Goes & Goes” you get the idea – and the full effect – instantly. Introducing a new generation in longwear technology. Hours later, lips look just the way you left them in the mirror that morning – luscious, lustrous and fresh, in frost or cream texture, with flexible film-former to pvide transfer or resistance for extended-play passion!

after hours of overtime, this is the most advanced longwear formula ever created – now eternally yours!

Pro Longwear Lipcreme

Made To Last Deep plumy brown (Frost)

Till Tomorrow Greyed mauvy brown (Cream)

Sweet Ever After Copper (Frost)

Faithfully Yours Blackened dirty purple (Cream)

Goes and Goes Blue violet (Cream)

Love Forever! Bright blue pink (Cream)

Perpetual Flame Pink cranberry (Cream)

Unlimited Muted dirty rose (Cream)

Overtime Light baby pink (Cream)

Extended Play Blackened brick red (Cream)

Good To Go Loudmouth orange (Cream)

Prolong True red (Cream)

Suggested Retail Price $16.00 U.S./$19.00 CDN

In the world of Pro Longwear, Foundation and Concealer carry the show, with creamy, medium buildable coverage right through to a flawless, natural finish. with medical-grade patch polymers, these formulas get you fifteen+ hours of high performance for epic transfer resistance, concealing flaws and correcting/diminishing under eye circles, spots and discolourations. Marathon makeup to go, made from micronized pigments to promote the smoothest application and colour purity. Matte blendability for perfect comfort.

Pro Longwear SPF 10 Foundation

NC15, NC20, NC25, NC30, NC35, NC40, NC42, NC45, NC50,

NW20, NW25, NW30, NW35, NW40, NW45, NW50

Suggested Retail Price $29.50 U.S./$35.50 CDN

Pro Longwear Concealer

NC15, NC20, NC30, NC35, NC42, NC45, NC50, NW15, NW20,

NW25, NW30, NW35, NW40, NW45, NW50

Suggested Retail Price $16.50 U.S./$20.00 CDN

190 Foundation Brush A professional-class foundation

brush designed to provide a smooth, even finish.

Suggested Retail Price $32.00 U.S./$38.50 CDN

195 Concealer Brush A flexible synthetic fibre flat brush

with slight pointed tip for precision application and

blending of all concealer formulas and other

emollient products.

Suggested Retail Price $22.00 U.S./$26.50 CDN

 

MAC Cosmetics at TIFF

Rachelle Lefevre

M·A·C Sr. Artist Gina Bettelli worked with Rachelle Lefevre of Barney’s Version at TIFF.

“Rachelle's look was doll-like bohemian. Fabulous Felines inspired aubergine smoky eyes, velvet lashes, and fresh natural skin,” said Gina.

Some key products used to create the look were:

Base:

Face + Body Foundation

On the eyes:

Paintpot in Girly

Palace Pedigreed eye shadow quad

Eye Brows in Lingering

Clear brow set

Zoomlash Mascara in Zoomblack

#30 lashes (individuals)

On the cheeks:

Blush in Pet Me

Cream Colour Base in Shell

On the lips:

Lipstick in Cherish

Minnie Driver

M·A·C Director of Makeup Artistry Gregory Arlt worked with Minnie Driver of Barney’s Version.

"I wanted Minnie's look to be effortless glamour with a post-beach vibe to it. I kept her perfect skin luminous with Face and Body foundation and Mineralize Skinfinsih powder and 'Margin' blush on her cheeks for a warm, bronzed glow. We kept her eyes soft, golden, and glowing using 'Rice Paper' and 'All That Glitters' shadows with 'Embark' and 'Brown Down' shadows to line the top and bottom of her eyes. I finished off the eyes with 'Haute & Naughty Lash' mascara. Finally a bit of 'Oak' pencil with 'Love Nectar' Lustreglass on the lips to finish it off," Gregory explained.

Some key products used to create the look were:

Base:

Face + Body Foundation

On the eyes:

Eye Shadows in: Embark, Rice Paper, All That Glitters, Brown Down

Haute & Naughty Lash Mascara

Lips:

Lip Pencil in Oak

Lipglass in Love Nectar

NYFW September 14th - MAC Cosmetics Face Charts

RODARTE
“IT’S ALL ABOUT NORTHERN CALIFORNIA, GIANT REDWOODS AND
THE GOLD RUSH OF 1849.”
JAMES KALIARDOS


EYE
NC42 SELECT COVER-UP CONCEALER – BLENDED ONTO THE EYELIDS.
36 LASH – PAINTED WITH GOLDEN LEMON PIGMENT
AND APPLIED TO THE LASH LINE.
GOLDEN LEMON PIGMENT – BLENDED ONTO THE
INNER AND OUTER CORNERS OF THE EYES.
I GET NO KICK EYE KOHL (AVAILABLE 2011) – DRAWN ONTO
THE WATERLINES OF THE EYES.


LIP
M·A·C PRO LIP ERASE IN DIM – APPLIED AS A BASE TO THE LIPS.
M·A·C PRO ROSE GOLD METAL PIGMENT AND
GOLDEN LEMON PIGMENT – LAYERED OVER LIP ERASE FOR GOLDEN LIPS.


FACE.
STUDIO SCULPT FOUNDATION – TO PERFECT THE SKIN
WITH AN EGGSHELL FINISH.
PREP + PRIME TRANSPARENT FINISHING POWDER –
BRUSHED DOWN THE T-ZONE.
QUARRY EYE SHADOW – CONTOURING THE CHEEKBONES AND TEMPLES.
PEARL CREAM COLOUR BASE – HIGH ON THE CHEEKBONES.

NYFW September 13th - MAC Cosmetics Face Charts

RAD HOURANI
“IT’S ALL ABOUT FRESH, GROOMED SKIN, LIKE THE GIRLS
JUST STEPPED OUT OF THE SHOWER.”
HUNG VANGO


EYE
BRULE EYE SHADOW – LIGHTLY DUSTED ONTO THE EYELIDS
FROM LASH LINES TO BROWS.


LIP
DIM LIP ERASE – LIGHTLY PATTED ONTO THE LIPS
TO GENTLY TAKE SOME OF THE COLOUR DOWN.


FACE
STUDIO MOISTURE FIX – TO MOISTURIZE THE SKIN.
STUDIO SCULPT FOUNDATION – FOR FLAWLESS SKIN.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.
HUSH CREAM COLOUR BASE – APPLIED AS A HIGHLIGHT
ON THE CHEEKBONES.

MONIQUE LHUILLIER
“IT’S A 1950S AUDREY HEPBURN LOOK WITH AN AERODYNAMIC
BEAUTIFUL EYE LINER. VERY HAUTE COUTURE AND RED CARPET,
SLIGHTLY DEBUTANT WITH GILDED LILACS ON THE EYE LID,
LINER AND A DELICATE SOFT, PINK GLOSSED LIP.”
VAL GARLAND


EYE
DIGIT AND VELLUM EYE SHADOWS – LAYERED ONTO THE EYELIDS.
CRYSTAL EYE SHADOW – THROUGH THE CREASE OF THE EYELIDS
WITH A LAYER OF IDOL EYES EYE SHADOW APPLIED WET ON TOP.
WOODWINKED EYE SHADOW – PLACED ON THE INNER CORNERS
OF THE EYELIDS.
BLACKTRACK FLUIDLINE – LINING THE EYES IN A
WINGED OUT SHAPE.
41 LASHES – CUT IN HALF AND APPLIED TO THE
OUTER CORNERS OF THE EYES.


LIP
VIVA GLAM GAGA LIPGLASS – PATTED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – APPLIED AS A BASE.
BAMBOO CREAM COLOUR BASE – BLENDED ONTO THE CHEEKS.
SHELL CREAM COLOUR BASE – TO HIGHLIGHT THE CHEEKBONES.

CAROLINA HERRERA
“THE INSPIRATION WAS TRADITIONAL KOREAN COSTUME, FLORAL
PRINTS OR PHOTOGRAPHS OF FLOWERS WHICH LEAD US TO
CREATE A BRICK COLOURED EYE.”
DIANE KENDAL


EYE
BRICK LIP PENCIL – BLENDED FROM THE LASHLINE TO THE
CREASE OF THE EYELIDS, DIFFUSED OUT TOWARD THE OUTER
CORNERS OF THE EYES.
ANTIQUED EYE SHADOW – TAPPED ON TOP OF THE DIFFUSED PENCIL
TO EXTEND THE SHAPE OF THE EYE IN A HORIZONTAL DIRECTION.
DIVA LIPSTICK – ADDED TO THE INNER AND OUTER CREASE OF THE
EYELIDS FOR SOFT DEFINITION.
BLACK HAUTE AND NAUGHTY MASCARA – APPLIED TO HEAVILY
CURLED LASHES.


LIP
SUGAR RIMMED DAZZLEGLASS – APPLIED WITH A 231 BRUSH.


FACE
STUDIO FINISH CONCEALER – APPLIED WHERE NEEDED.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.
PINCH ’O PEACH POWDER BLUSH – ADDED TO THE APPLES OF THE
CHEEKS, COMPLETELY DIFFUSED OUT IN A SUNBURST EFFECT.
DONNA

DONNA KARAN
“THE INSPIRATION FOR THE LOOK WAS 1930S PHOTOGRAPHS –
A COMBINATION OF BRONZE & GOLD ON THE EYES WITH
A VERY MATTE SKIN.”
CHARLOTTE TILBURY


EYE
INDIANWOOD PAINT POT – BUFFED OVER THE EYELIDS
UP THROUGH THE CREASE AND ALONG THE
LOWER LASH LINES IN A 1930S SHAPE.
M·A·C PRO GOLD PIGMENT – BRUSHED THROUGH
THE CREASE OF THE EYELIDS.
M·A·C PRO GLOSS TEXTURE – PATTED OVER THE EYELIDS.


LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – APPLIED AS A SHEER BASE.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.

Backstage Video: Hair, Makeup, and Nails at Marc Jacobs

via: NY Mag

NYFW September 12th - MAC Cometics Face Charts

BEHNAZ SARAFPOUR
“A GIRL ON HOLIDAY IN INDIA, A SERENE, PEACEFUL VACATION.
IT’S SOFT MAKEUP, INSPIRED BY NATURE. THE WAY YOU LOOK WHEN
YOU ARE REALLY RELAXED AND SURROUNDED BY BEAUTIFUL THINGS.”
GORDON ESPINET


EYE
DALLIANCE MEGA METAL SHADOW (AVAILABLE 2011) –
BLENDED ONTO THE LIDS AND ALONG THE LOWER LASH LINE.
I GET NO KICK EYE KOHL (AVAILABLE 2011) –
DRAWN ONTO THE WATERLINES.


LIP
SUPREMELY CONFIDENT SHEEN SUPREME LIPSTICK –
APPLIED TO THE LIPS.


FACE
FACE AND BODY FOUNDATION – FOR SHEER COVERAGE
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO SET FOUNDATION.
GIVE ME SUN! M·A·C BRONZING EVERYDAY (AVAILABLE 2011) –
APPLIED TO THE CHEEKS AND BRUSHED UP FROM THE
BROW BONES OVER THE TEMPLES.

DIANE VON FURSTENBERG
“THE LOOK IS BASED ON ANDY WARHOL’S SILKSCREEN OF
DIANE’S LIPS – ITS AN ICONIC IMAGE FOR DVF.”
JAMES KALIARDOS
EYE
PEARL CREAM COLOUR BASE – TOUCHED ONTO THE CENTERS
OF THE EYELIDS AND THE TEAR DUCTS.
SCULPT AND SHADESTER M·A·C PRO SCULPTING POWDERS –
TO CONTOUR THE CREASE OF THE EYELIDS.


LIP
M·A·C PRO PROCESS MAGENTA CHROMAGRAPHIC PENCIL –
LINING AND FILLING IN THE LIP.
MAGENTA MADNESS PIGMENT – BRUSHED OVER THE PENCIL
FOR A NEON PINK MATTE LIP.


FACE
STUDIO SCULPT FOUNDATION – FOR MATTE PERFECTED SKIN.
MINERALIZE SKINFINISH NATURAL – TO SET FOUNDATION.
SCULPT AND SHADESTER M·A·C PRO SCULPTING POWDERS –
TO CONTOUR THE CHEEKS AND TEMPLES.
PEARL CREAM COLOUR BASE – HIGHLIGHTING THE
CHEEKBONES AND THE CENTER OF THE NOSE.

ERIN FETHERSTON
“THE COLLECTION IS ALL ABOUT A ’70S COCKTAIL PARTY SO THE
LOOK IS GIRL ON HOLIDAY, QUITE FLUSHED AND HOT, JUST OFF THE
BEACH AND PUTTING ON A BIT OF MAKEUP BEFORE THE PARTY.”
LUCIA PICA


EYE
M·A·C GLOSS TEXTURE – PATTED ONTO EYELIDS FOR A SLIGHT
SHEEN.
ZOOM BLACK MASCARA – APPLIED TO TOP AND BOTTOM LASHES.


LIP
SO CHAUD LIPSTICK – PATTED ON, NOT REALLY DEFINED,
FOR MATTE ORANGE LIPS.


FACE
SELECT MOISTURECOVER CONCEALER – APPLIED ONLY
WHERE NEEDED.
M·A·C PRO GLYCERIN SPRAY – TO ACHIEVE THAT “JUST OUT OF THE
SUN” SHEEN ON THE HIGH PLANES OF THE FACE AND CHEEKS.
M·A·C PRO BROWN CREAM COLOUR BASE – BLENDED
INTO THE CHEEKS FOR A NATURAL FLUSH.
CARE BLENDS ESSENTIAL OILS – BUFFED OVER THE CHEEKS
TO ADD TO THE SHEEN.

PREEN
“THE COLORS OF THE MAKEUP ARE INSPIRED BY EGYPT, THE COLORS
OF THE SAND. THE CLOTHES HAVE BEAUTIFUL PALE BLUES AND
LAVENDERS SO WE’RE DOING A LITTLE BLUE ON THE EYE AS WELL.
VERY CATHERINE DENEUVE, BUT SUPER MINIMAL.”
JAMES KALIARDOS


EYE
LITE BRITE CREAMSHADOW (AVAILABLE 2011) –
HIGHLIGHTING THE INNER CORNERS OF THE EYELIDS.
SWELL BABY SHADOW (AVAILABLE 2011) –
BRUSHED THROUGH THE CREASE OF THE EYELIDS.
M·A·C PRO NC15/NW20 CHROMAGRAPHIC PENCIL –
DRAWN ALONG THE WATERLINES.


LIP
SUPER KISSABLE LIP COLOUR – PRESSED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – BLENDED ONTO THE SKIN.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO SET FOUNDATION.
GIVE ME SUN! M·A·C BRONZING EVERYDAY (AVAILABLE 2011) –
BLENDED ONTO CHEEKS.
PEARL CREAM COLOUR BASE – TO HIGHLIGHT THE CHEEKBONES.

NYFW September 11th - MAC Cosmetics Face Charts

ALTUZARRA
“THE COLLECTION IS VERY STRONG, TRIBAL, AND AMAZON
SO WE DECIDED TO GO FOR NUDE, MATTE SKIN AND
STRONG CONTOURS TO CREATE A TRUE DYNAMIC.”
TOM PECHEUX

EYE
M·A·C PRO SCULPTING POWDERS IN SHADESTER,
SCULPT AND DEFINITIVE – APPLIED WITH A 222 BRUSH
TO SCULPT FROM THE INNER CORNER
OF THE EYES UP TO THE BROW BONES.

LIP
M·A·C PRO SCULPTING POWDERS IN SHADESTER,
SCULPT AND DEFINITIVE – PATTED ONTO THE LIPS WITH
A 242 BRUSH FOR A NUDE, MATTE LIP.

FACE
CARE BLENDS ESSENTIAL OILS MIXED WITH
FACE AND BODY FOUNDATION – TO PERFECT THE SKIN.
MINERALIZE SKINFINISH NATURAL MIXED WITH
PREP + PRIME TRANSPARENT POWDER – TO SET THE FOUNDATION.
M·A·C PRO SCULPTING POWDERS IN SHADESTER, SCULPT
AND DEFINITIVE – TO CONTOUR THE CHEEKS AND TEMPLES AND NECK.

PRABAL GURUNG
“THE COLLECTION IS VERY RICH AND FULL ON, ALL ABOUT THE
ARCHITECTURE OF THE CLOTHES TO THE SILHOUETTE SO THE FACE
IS PURE, SOFT BUT GRAPHIC – PLAYING WITH TEXTURES IN WHITE.”
TOM PECHEUX

EYE
M·A·C PRO PURE WHITE PAINTSTICK –
BLENDED ON THE TO EYELIDS AS A BASE.
GESSO EYE SHADOW LAYERED WITH FASCINATING EYE KOHL –
TO CREATE A “MATTE WHITE LID.”

LIP
M·A·C PRO LIP ERASE IN DIM –
TO MAKE LIPS THE SAME BASE COLOUR.
SUPREMELY CONFIDENT SHEEN SUPREME LIPSTICK –
LAYERED OVER LIP ERASE TO GIVE A “TRUE SENSUALITY
TO THE LIPS.”

FACE
SELECT MOISTURECOVER CONCEALER – APPLIED AS NEEDED.
MINERALIZE SKINFINISH NATURAL – LIGHTLY APPLIED TO
EVEN OUT THE SKIN TONE.
SILVER DUSK IRIDESCENT POWDER LOOSE, PINK OPAL AND WHITE
PIGMENTS – WRAPPED AROUND THE TEMPLES FROM JUST ABOVE
BROW ARCH TO JUST UNDER THE PUPILS AND ON THE CHEEKBONES
TO CREATE A WHITE OPALESCENT GLOW. THIS ALSO SOFTLY
SCULPTED THE FACE AND REPLACED THE DIMENSION LOST WHEN
FOUNDATION WAS APPLIED.

ALEXANDER WANG
“THE LOOK IS ALL ABOUT THE DOWNTOWN ART SCENE – THE HAIR
IS QUITE COMPLEX SO WE DECIDED TO KEEP THE FACE
REALLY FRESH AND YOUNG.”
DIANE KENDAL

EYE
BROWS WERE BLEACHED.

LIP
LIP CONDITIONER – PATTED ONTO LIPS AND BLOTTED.

FACE
STUDIO MOISTURE FIX SPF 15V –
MASSAGED INTO THE FACE FOR FRESH MOISTURIZED SKIN.
SELECT MOISTURE COVER CONCEALER –
APPLIED WHERE NEEDED TO UNDER EYES OR IMPERFECTIONS.

NYFW September 10th - MAC Cosmetics Face Charts

COSTELLO TAGLIAPIETRA

“A MODERN MIA FARROW FROM THE MOVIE
THE GREAT GATSBY WHICH WAS SET IN THE 1920S.”
LISA BUTLER


EYE
ROOT CREAM COLOUR BASE –
DIFFUSED OVER THE EYELIDS FROM LASH LINE TO BROWS.
COAL BLACK PRO LASH MASCARA –
APPLIED TO TOP AND BOTTOM LASHES.


LIP
BRIT WIT BLUSH CRÈME AND
VINTAGE ROSE CREAM COLOUR BASE –
THICKENED WITH CONCEALER PATTED ONTO THE LIPS.


FACE
BRIT WIT BLUSHCREME AND
VINTAGE ROSE CREAM COLOUR BASE –
BLENDED ONTO THE CHEEKS
FOR A TRANSLUCENT NATURAL FLUSH.

DOO.RI

“SHE’S A FADED GIRL-DISCREET AND WASHED OUT
WITH JOYFUL BUT MINIMAL COLOUR.”
TOM PECHEUX

EYE
WASHED OUT CREAMSHADOW (AVAILABLE 2011) –
BLENDED OVER THE EYELIDS.
ASH BLONDE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) –
APPLIED TO THE INNER CORNERS OF THE EYES.
DERAILED CREAMSHADOW (AVAILABLE 2011)
AND OCHRE STUDIO FINISH SKIN CORRECTOR –
BUFFED INTO THE OUTER CORNERS OF THE EYELIDS
AND LOWER LASH LINE.


LIP
ASH BLONDE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) –
PATTED ONTO THE LIPS.
OCHRE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) –
TOUCHED INTO THE CENTER OF THE LIPS.

FACE

FACE AND BODY FOUNDATION – APPLIED FOR NATURAL

AND PERFECTED SKIN.

PROLONGWEAR CONCEALER – APPLIED WHERE NEEDED.

PETER SOM


“WE TOOK THE ICONIC ’60S EYELINER BUT MADE IT FRESH
BY DOING IT IN YELLOW INSTEAD OF CLASSIC BLACK.”
TOM PECHEUX


EYE
M·A·C PRO PRIMARY YELLOW CHROMALINE –
BRUSHED ON IN A PRECISE ’60S SHAPE
WITHOUT THE OUTER CORNER WING.


LIP
SO VAIN KISSABLE LIPCOLOUR (AVAILABLE 2011) –
PATTED ONTO THE LIPS.




FACE
FACE AND BODY FOUNDATION –
APPLIED TO EVEN OUT THE SKIN TONE IN A SHEER WAY.
MINERALIZE SKINFINISH NATURAL –
TO SOFTLY SCULPT THE FACE AND REPLACE
THE DIMENSION LOST WHEN FOUNDATION WAS APPLIED.

NYFW - Alexander Wang - Spring Summer 2011 Full Fashion Show

Omg, I love him so much. He is a genius. I want EVERYTHING.

Love, love, love and LOVE.

NYFW September 9th - MAC Cosmetics Face Charts

VENA CAVA
“THE LOOK IS FULL GLAMOUR – MICHELLE PFEIFFER
FROM SCARFACE 1983.”
CHRISTIAN MCCULLOCH


EYE
CONTRAST, PRUSSIAN AND SHADOWY LADY EYE
SHADOWS – BLENDED TOGETHER AND PULLED OUT
FROM THE CENTER OF THE EYE ALONG THE CREASE AND
LOWER LASH LINES FOR A BLUE GRAY SMOKY EYE.
DALLIANCE MEGA METAL SHADOW (AVAILABLE 2011) –
TO HIGHLIGHT THE INNER CORNERS OF THE EYELIDS.
DANGEROUS CUVEE PAINT POT (AVAILABLE 2011) –
BLENDED TOGETHER ON THE CENTER OF THE EYELIDS.
HAUTE AND NAUGHTY LASH IN BLACK – TWO COATS
.APPLIED TO BOTH THE UPPER AND LOWER LASHES.


LIP
SUBCULTURE LIP PENCIL – FILLING IN THE LIPS.
MORANGE LIPSTICK – PATTED OVER THE LINER FOR
AN ORANGEY RED STAIN.


FACE
M·A·C PRO CHERCHE BLUSHCREME AND M·A·C PRO
SHADESTER SCULPTING POWDER – CONTOURING JUST
BENEATH THE CHEEK BONES.

RUFFIAN
“SHE’S AN AMERICAN EX-PAT ADAPTING TO THE FRENCH CULTURE.
IT’S A NEUTRAL PALETTE BUT THE GOLD MAKES IT GLAMOROUS.”
JAMES KALIARDOS


EYE
PEARL CREAM COLOUR BASE – BLENDED OVER THE EYELIDS.
CENTRE STAGE MEGA METAL SHADOW (AVAILABLE 2011) AND M·A·C
PRO ROSE GOLD METAL PIGMENT – BLENDED THROUGH THE CREASE
OF THE EYE AND WINGED OUT TOWARD THE TEMPLES.
GOLDEN LEMON PIGMENT – PLACED IN THE CENTER OF THE LID, AND
SMUDGED ONTO THE INNER AND OUTER CORNERS OF THE EYES.
I GET NO KICK EYE KOHL (AVAILABLE 2011) – DRAWN ONTO THE
LOWER WATER LINES OF THE EYE LIDS.
# 33 LASHES – APPLIED TO TOP LASHES ONLY AND BLENDED WITH
PLUSHBLACK PLUSH LASH MASCARA.


LIP
M·A·C PRO DIM LIP ERASE – TONING DOWN THE NATURAL COLOUR OF
THE LIPS.
SO VAIN KISSABLE LIPCOLOUR (AVAILABLE 2011) – BLENDED OVER
LIP ERASE WITH A LIP BRUSH.


FACE
LADY BLUSH BLUSHCREME – BLENDED HIGH ON THE CHEEKS.
REFINED DEEPER BRONZE BRONZING POWDER – APPLIED TO THE
TEMPLES AND THE CHEEKS AS A CONTOUR.
GOLDEN LEMON PIGMENT – TOUCHED ONTO CHEEKBONES AS A
HIGHLIGHT.
LIP ERASE WITH A LIP BRUSH.